Daniel Gerhartz

Balance… Poetry and Structure

"Clematis" 30 x 40

 

When I have been most moved and impressed by artwork, music, or any expressive art form, it has been when the work has first grabbed my soul with its poetry, then amazed my mind in its structure and construction.


Throughout my development as a visual artist, I have found my greatest struggle in the making of art is to balance the crafting of accurate, solid forms while retaining the lyrical nature of the visual world. So often in my efforts to capture the exactness of what I am seeing, I lose the poetic beauty and essence of the elegant, peripheral line.


For me, the balance comes when I can relax enough while in the throws of building the solid structure of the forms to absorb and feel the rhythm before me. Certainly this comes with experience, but to be aware of the end goal during the early stages of development is critical in not becoming too stiff in your approach. While working and studying the subject, to feel the connectedness of the forms, the living, breathing life of our subject makes a clear difference to me in the end result. I have found that it is having faith that the poetry will come and manifest itself if I am true to the beauty and strength of the construction, being careful not to overthink the problem.  Allowing all of your senses to take part in the mechanical process is the beginning of where the poetry begins.


I wish you great success as you strive to bring your paintings to life in poetic strength!

 

 

Merry Christmas!

 

 

Thank you!

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Comments

1 Response to Balance… Poetry and Structure

In simple words - INSPIRED.
I am sure your Impressionistic Romantic Realism is a continuation of the great masters (a definite Sargent impact and so of others) effort. But, to be more precise, you took it to a different level. I see a Perfect human being with a very positive and wonderful mind like yours can only take art to this height. You definitely deserve the highest appreciation.

I have seen most of the great Art Museums of Europe, time and again and I can say that like Rembrandt, who is unique in his style, you stand out among the contemporary romantic realistic figurative painters. Not the least your flowers still life paintings and also your landscapes.

The ease with which you paint makes you perhaps the best artist today.

I spend lot of time on Art Museums , You tube videos, Websites (Yours, Pino Daeni, etc) to arrive at the above conclusion.

I am sure, you have entered the experimental stage in painting. Hope you will realise this. If you have realised you will grow beyond any one in art history.

Wish you the best in the coming days.



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